MarMar
258

March 25, 2014 - March 8, 2015
Plymouth State University, Museum of the White Mountains

In its newest exhibition, Plymouth State University’s Museum of the White Mountains explores connections between geological history and recreation in the White Mountains. The exhibition is curated by Sarah Garlick, a New Hampshire-based writer and science educator.

The exhibition features ultra-high resolution panoramic photographs (Gigapans) of Cannon Cliff, the Franconia Ridge and the east side of Mt. Washington. These panoramas span nearly entire walls of the gallery and are featured in a touch-screen digital exhibit.

The exhibition includes topics like the connection of a geologic event such as a landslide and how that event precipitates activities such as backcountry skiing and ice climbing. It also explains the impact of the Ice Age on the region, and the science behind the formation and eventual destruction of the Old Man of the Mountain.

The museum, located at 34 Highland Street in Plymouth, is open for regular hours Tuesday, Thursday and Friday, 10 a.m.–5 p.m.; Wednesday 10 a.m.–7 p.m.; Saturday and Sunday noon to 5 p.m. Admission is free and open to the public for self-guided tours. Contact Libby Griffiths at (603) 535-3210 or egriffiths@plymouth.edu to discuss and schedule group visits.


SepOct
1631

Tuesday, Sep. 16 - Friday, Oct. 31
Silver Center for the Arts

This installation celebrates the 30th anniversary of the PSU theatre program by exploring and presenting examples of the visual magic created by the dramatic arts and theatre design within the context of the history of theatre at Plymouth State University. Curated by Professor of Theatre Matt Kizer and presented in collaboration with the PSU Department of Music, Theatre, and Dance.
Please join us for an opening reception on Tuesday, September 16, 4-6pm.


OctOct
630

Monday, Oct. 6 - Thursday, Oct. 30
Karl Drerup Art Gallery

Reception: October 7, 4-6 p.m., with gallery talk by Professor Beverly Naidus, University of Washington, Tacoma

What does it mean for art to be socially engaged? Can art help us find the vision to move through today’s world?

This audience-participatory installation examines the tensions, fears, and illusions promoted by the corporate media and the stories of individuals struggling to make sense of this economic and political moment, while inviting viewers to participate in a game that playfully explores the perils and rewards of activism. Beverly Naidus’s art practice intertwines the roles of activist, educator, writer, and interdisciplinary artist.

For more information about exhibits and events, visit Plymouth.edu/gallery.


NovDec
512

Wednesday, Nov. 5 - Friday, Dec. 12
Silver Center for the Arts

Reception: Wednesday, November 5, 4 - 6 p.m.

Throughout the continent of Africa, people use cloth to speak for them. Whether the fabric represents religious affiliation, age, class status, ethnic membership, or political association, what one wears is one’s identity. Woven or dyed, imported or locally produced, wrapped, tied, or tailored—all clothing speaks clearly in the many African languages. Demonstrating ancient traditions or contemporary fads, African peoples use cloth to celebrate the vibrancy of life’s rituals from birth to death. Co-curated by Philip Peek, professor emeritus of anthropology at Drew University, and Anthropology of Religion, Ritual, and Myth students.

For more information about exhibits and events, visit Plymouth.edu/gallery.


NovDec
1013

Monday, Nov. 10 - Saturday, Dec. 13
Karl Drerup Art Gallery

Reception: November 10, 4-6 p.m.

What is it like to work as part of an artist collective?

The Beehive Collective has traveled to and worked with groups around the world, translating complex global stories into collaboratively drawn images that take on a life of their own. Their most recently printed graphic, Mesoamérica Resiste, was nine years in the making. This large-format narrative illustration tells stories of grassroots organizing and community resilience from Mexico to Colombia and also celebrates cultural and ecological diversity. This exhibit will inspire us to imagine the diverse ways that the arts can motivate and activate local and global communities. Curated by the PSU Museum Studies class, led by Professor of Art History Jayme Yahr.

For more information about exhibits and events, visit Plymouth.edu/gallery.


Feb ’15
2
2:00 pm

Monday, Feb. 2 - Thursday, Mar. 5
Karl Drerup Art Gallery

Reception: Tuesday, February 3, 4-6 p.m.

The veneration of trees is an ancient and ongoing human endeavor. Throughout history, the sacred tree has personified our understanding of life, death, knowledge, and liberty.

Emile Birch is a leading New Hampshire teaching artist and professional sculptor whose public artworks have been commissioned by many businesses and communities throughout the state. The sculptures in this body of work explore the spiritual nature of living trees and their transformation when cut and felled. This colorful and kinetic exhibit is filled with ancient and new symbolism integrated into mesmerizing designs.

For more information about exhibits and events, visit Plymouth.edu/gallery.



Close